Winter 2018 Class Schedule
Course # | Title | Instructor | Day/Time | |
---|---|---|---|---|
Portuguese 101-2 | Elementary Portuguese | Check CAESAR | MWF 11am | |
Portuguese 101-2 Elementary PortugueseIntroduction to grammar and development of listening, speaking, reading, and writing skills in Brazilian Portuguese, as well as the history and culture of Portuguese-speaking countries. Prerequisite for 101-2: 101-1 or sufficient score on placement test; for 101-3: 101-2 or sufficient score on placement test. | ||||
Portuguese 115-1 | Portuguese for Spanish Speakers | Check CAESAR | MWF 1pm | |
Portuguese 115-1 Portuguese for Spanish SpeakersFor students proficient in Spanish. Comparative sociolinguistic and interactive approach to communicative competence emphasizing pronunciation, intonation, sentence structure, and patterns of spoken and written Portuguese. Prerequisite: AP 4 or equivalent on the Spanish Language Placement Exam. | ||||
Portuguese 121-2 | Intermediate Portuguese | Check CAESAR | MWF 12pm | |
Portuguese 121-2 Intermediate PortugueseBased on the communicative approach, Port 121 helps students achieve an intermediate language level of proficiency through furthering development of listening, speaking, reading and writing skills. Grammar, vocabulary and pronunciation of Brazilian Portuguese will continue to be developed through meaningful cultural contexts. The course also offers insights into the history and culture of the Portuguese speaking countries in Europe, Africa and America. Prerequisite: Port 101-3 or Placement | ||||
Portuguese 396-0 | Topics in Lusophone Cultures
| Check CAESAR | TBA | |
Portuguese 396-0 Topics in Lusophone CulturesAspects of the literatures and cultures of Brazil, Portugal, and Lusophone Africa (Mozambique, Angola, Cape Verde, Sao Tome and Principe, Guine Bissao). Possible topics include Brazilian modernism, Lusophone African literature and film, race and sexuality in Brazilian literature, travel narrative, literature and ethnography, the Portuguese novel, nation and nationalism. May be repeated for credit with different topic. | ||||
Spanish 101-2 | Elementary Spanish | Check CAESAR | MWF 9am, 10am, 11am, 12pm, 1pm, 2pm | |
Spanish 101-2 Elementary SpanishFor students who have studied Spanish less than two years. Communicative method. Development of speaking, listening, conversation, and grammar skills, as well as knowledge of Hispanic culture, through context. Three class meetings a week. Outside online video program twice a week. | ||||
Spanish 115-1 | Accelerated Elementary Spanish | Check CAESAR | MWF 9am, 10am, 11am, 12pm, 1pm, 2pm, 3pm | |
Spanish 115-1 Accelerated Elementary SpanishFor students with some previous experience in Spanish. Communicative method used for development of speaking, listening, conversation, and grammar skills in a cultural context. Three class meetings a week. Outside online video lab twice a week. | ||||
Spanish 121-2 | Intermediate Spanish | Check CAESAR | MWF 8am, 9am, 10am, 11am, 12pm, 1pm, 2pm, 3pm | |
Spanish 121-2 Intermediate SpanishCommunicative method. Further development of grammar, vocabulary, speaking, and writing skills through emphasis on cultural content and functional use of Spanish language. Three class meetings a week. Outside online video program twice a week. Prerequisite: 101-3, 115-2, or Spanish Language Placement Exam. | ||||
Spanish 197-0 | Language in Context: Latinos, Language, and Culture | Check CAESAR | MWF 1pm | |
Spanish 197-0 Language in Context: Latinos, Language, and CultureFor heritage learners with prior formal training in Spanish. Introduction to socio-political and linguistic richness of contemporary Spanish speaking countries. Emphasis on writing, syntax, and formal modes of the language. Prerequisite: Spanish heritage learners who have completed Spanish 121-3, Spanish 125-0, or Spanish 127-0. AP score of 4, or Spanish Language Placement Exam. | ||||
Spanish 199-0 | Language in Context: Contemporary Spain | Check CAESAR | MWF 10am, 11am, 2pm | |
Spanish 199-0 Language in Context: Contemporary SpainAn introduction to the culture and politics of contemporary Spain in the basis for review and further development of some of the most problematic grammatical patterns in Spanish. Prerequisite: 121-3, 125-0, AP score of 4, or Spanish Language Placement Exam. | ||||
Spanish 201-0 | Conversation on Human Rights: Latin America | Check CAESAR | MWF 12pm, 2pm, 3pm | |
Spanish 201-0 Conversation on Human Rights: Latin AmericaFirst course of a sequence designed to develop speaking strategies and structures through analysis of modern (20th- and 21st-century) Latin American culture. Emphasis on accurate informal conversation. Prerequisite: 199 or Spanish Language Placement Exam. | ||||
Spanish 203-0 | Individual and Society through Written Expression | Check CAESAR | MWF 9am, 10am | |
Spanish 203-0 Individual and Society through Written ExpressionFirst course of a sequence that develops writing skills and structures through examination of the relationship between individual and society. Emphasizes textual analysis and development of descriptive, narrative and argumentative essays. Prerequisiste: 201, AP score of 5, or Spanish Language Placement Exam. | ||||
Spanish 204-0 | Reading and Writing in the Art of Protest | Check CAESAR | MWF 9am, 10am, 12pm | |
Spanish 204-0 Reading and Writing in the Art of ProtestSecond course of a sequence designed to develop writing skills and structures through analysis of socially committed art. Emphasis on cultural analysis and development of longer essays. Prerequisite: 203 or 207. | ||||
Spanish 205-0 | Spanish for Professions: Health Care | Check CAESAR | MWF 12pm | |
Spanish 205-0 Spanish for Professions: Health CareAn advanced course for developing communication skills in Spanish for health care purposes. Emphasis on language skills for the medical field, specialized terminology and vocabulary, and cultural nuances in the Spanish-speaking world. Prerequisite: AP score of 5 or Spanish 201-0. | ||||
Spanish 206-0 | Spanish for Professions: Business | Check CAESAR | MWF 10am | |
Spanish 206-0 Spanish for Professions: BusinessAdvanced course for developing communication skills in Spanish for business purposes. Emphasis on language skills for the global marketplace: specialized terminology; writing; comprehension of cultural nuances in the Spanish-speaking business world. Prerequisite: AP score of 5 or 201-0. | ||||
Spanish 220-0 | Introduction to Literary Analysis | Check CAESAR | TBA | |
Spanish 220-0 Introduction to Literary AnalysisIntroduction to textual analysis and to topics such as genre, narratology, prosody, and figurative language, aiming to prepare the student to read, discuss, and write analytically in Spanish about literature and culture. Prerequisites:204 or AP 5 in Spanish Language AND Literature. | ||||
Spanish 223-0 | Cervantes
| Check CAESAR | TBA | |
Spanish 223-0 CervantesIntroduction to Don Quixote and other selected works with attention to their impact on literature, the arts, film, and music. | ||||
Spanish 250-0 | Literature in Spain before 1700 | Check CAESAR | TBA | |
Spanish 250-0 Literature in Spain before 1700Survey of the origins of the Spanish language and the development of Spanish literature from the Middle Ages to the end of the Spanish Golden Age. Study of representative figures and major literary developments in conjunction with political and cultural history. Prerequisite: 220. | ||||
Spanish 261-0 | Literature in Latin America since 1888 | Check CAESAR | TBA | |
Spanish 261-0 Literature in Latin America since 1888Survey of the modern period, including modernismo, the historical avant-garde, the "Boom," and recent literary trends. Authors such as Delmira Agustini, Jorge Luis Borges, Julio Cortazar, Ruben Dario, Gabriel Garcia Marquez, Jose Marti, Pablo Neruda, Cristina Peri Rossi, and Elena Poniatowska. Prerequisite: 220. | ||||
Spanish 280-0 | Intro to Spanish Linguistics | Check CAESAR | MWF 1pm | |
Spanish 280-0 Intro to Spanish LinguisticsAn introductory course designed to present students with an overview of the phonology, phonetics, morphology, syntax and sociolinguistic and pragmatic elements specific to the Spanish language. Prerequisite: Span 204 or equivalent | ||||
Spanish 302-0 | Advanced Grammar | Check CAESAR | MWF 11am | |
Spanish 302-0 Advanced GrammarAn advanced course designed to polish and improve language usage through in-depth study and development of grammar knowledge and skills, focusing on items most problematic for non-native speakers of Spanish. Prerequisite: 204-0 or equivalent. | ||||
Spanish 345-0 | Reading the "Boom" | Check CAESAR | TBA | |
Spanish 345-0 Reading the "Boom"Historical, literary, and cultural characteristics of the "Boom" in the 1960s and 1970s and the development of the "new" narrative in Latin America. Readings include novels, short fiction, and essays by authors such as Guillermo Cabrera Infante, Julio Cortazar, Jose Donoso, Carlos Fuentes, Gabriel Garcia Marquez, Manuel Puig, Juan Rulfo, and Mario Vargas Llosa. Prerequisite: 1 course from 250, 251, 260, or 261. | ||||
Spanish 361-0 | Latin America: Studies in Culture and Society | Check CAESAR | TBA | |
Spanish 361-0 Latin America: Studies in Culture and SocietyAnalysis of the history of culture in Latin America with an emphasis on the intersection of politics, society, and literature and on the relationship between literary and visual culture. Prerequisite: 220. | ||||
Spanish 397-0 | Topics in Latin American, Latina and Latino, and/or Iberian Cultures: The Crisis of Marriage in Brazilian, Portuguese and Lusophone African Fiction
| Check CAESAR | TBA | |
Spanish 397-0 Topics in Latin American, Latina and Latino, and/or Iberian Cultures: The Crisis of Marriage in Brazilian, Portuguese and Lusophone African FictionIn this course, we will look at representations of marriage, adultery and polygamy in literary works, movies, and photographs from Lusophone countries from the 19th to the 21st century. Starting with a discussion of Gustave Flaubert's classic novel of adultery Madame Bovary (1856), we will raise several questions: how did writers associate reading and cheating? How did letters become an important agent in the keeping and revealing of secrets and forbidden affairs? How did the institution of marriage change in response to the growing demands for women's rights? Finally, how does literature create and criticize fantasies of love, desire and consumption? To answer these questions, we will read novels by Eca de Queiroz, Machado de Assis, and Paulina Chiziane. Other writers may include Clarice Lispector, Mia Couto, Jorge Amado, Sophia de Mello, and Rubem Fonseca. The course will move from a specific focus on the impact of Madame Bovary in different cultures, particularly on how writers from countries such as Portugal and Brazil responded to the classic novel, to larger questions about representations of women, marriage, and sexuality in literature. Students will practice close reading and interdisciplinary methodologies, exercising comparative approaches between texts or different media. All the assigned readings will be in English, but students with familiarity with other languages, such as French and Portuguese, are encouraged to read the texts in their original languages. | ||||
SPANPORT 430 | Sound(ing) Race, Gender and Class: Readings in Latinx Popular Music and Literature | Frances R. Aparicio | T 2:00-4:50pm | |
SPANPORT 430 Sound(ing) Race, Gender and Class: Readings in Latinx Popular Music and LiteratureThis seminar will introduce students to Latinx cultural studies through an analysis of Latinx popular sonic traditions and literary texts. While musical traditions circulate hemispherically across Latin America, specific sounds and rhythms have been central sites for the construction of Latinx postcolonial identities. Salsa, corridos, cumbias, bachatas, and nortenas, for instance, have become expressive cultures that articulate the postcolonial experiences of diverse ethnic communities in Latino USA who have had limited access to high forms of art and literacy.The course will begin by introducing students to various theories about popular culture and music - concepts such as productive pleasure, listening as a critical act, and performance as the embodiment of resisting identities - that diverge from the aesthetic approaches to literary texts. What does it mean to listen rather than to read? How can we construct social meanings out of musical performances? How does the concept of voice relate to Latinx decolonial knowledge? By listening to musical performances, learning about particular musical genres, and reading literary texts that propose a critical dialogue with these sonic traditions, we will be able to expand not only our understanding of Latinx expressive and popular cultures as critical sites of resistance, but also to engage methodologically and theoretically in popular music as a site where sounds challenge the logocentric hegemony of reading in our production of knowledge. Course requirements include a class presentation, weekly written responses to the readings, and a final, 8-10 page original research paper. | ||||
SPANPORT 480 | Brazilian Modernism and Modernity: From Imitation to Anthropophagy and Beyond | César Braga-Pinto | M 2:00-4:50pm | |
SPANPORT 480 Brazilian Modernism and Modernity: From Imitation to Anthropophagy and BeyondIn this course, we will discuss the anxieties created by notions of "imitation" at the turn of the 19th to the 20th century in Brazil, and the debates they created not only in the field of aesthetics, but also in the pseudoscientific discourse of sexology, criminology and psychopathology. We will be particularly interested in understanding how these debates on modernity and imitation of French culture evolved through the post-1922 Modernism avant-gardes, and the anthropophagic movement in particular, and the extent to which the latter represented a solution for the anxieties and aspirations of the writers of the period. We will focus on fictional works by Brazilian writers ranging from the abolition of slavery (1888) and the proclamation of the Republic (1889), to the 1920's avant-garde movements. We will also engage with contemporary theories of imitation and repletion Reading knowledge of Portuguese or Spanish is helpful, but not required. Primary works will include: Raul Pompeia's O Ateneu (1888) [Trans. The Atheneum, ISBN: 0810130793); Aluizio de Azevedo's O Cortico (1890) [trans. The Slum, ISBN-10: 0195121872]; Machado de Assis' Dom Casmurro (1899) trans. Dom Casmurro: a novel ISBN-13: 978-0374523039; Joao do Rio's Vertiginous Life (1911); Oswald de Andrade (TBD); Mario de Andrade's Macunaima (1928). Theoretical works may include works by Antonio Candido and Roberto Schwarz, Viveiros de Castro (Cannibal Metaphysics), Gabriel Tarde, Harold Bloom, Gilles Delleuze, Jacques Derrida, Judith Butler, Rene Girard | ||||
SPANPORT 495 | Practicum in Scholarly Writing and Publication | Lucille Kerr | Th 2:00-4:50pm | |
SPANPORT 495 Practicum in Scholarly Writing and PublicationThis required seminar focuses on both theoretical and practical aspects of scholarly writing and publication. Reading and discussion, as well as writing assignments, aim to help students become more familiar with different ways in which they will be able to engage with other scholars and critics in their respective fields and areas of specialization. Students will take up the mechanics of scholarly publication, modes of scholarly research and reading, and genres of scholarly writing. The primary goal for each student will be to produce a draft of a publishable scholarly article, based on a paper written for a previous course. Other requirements include: a book review linked to the seminar paper; a formal abstract of the seminar paper; and written feedback on other students' writing. Seminar meetings will combine group discussion and oral presentations, workshop sessions focusing on written assignments, and, as needed, individual-tutorial meetings. |